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Curated by Rex Weil.
 
Unitards worn in Wings performance made by Sarada Conaway.
 
Photography of Chariot and Wings performances by Steve Strawn.
 

Meg Mitchell paints; she also makes computer-designed sculptures, writes code for digital video projections, and does performance and installation work as well.  In every medium she chooses, Mitchell inquires into the conditional nature of experiencing art, and into the boundaries, both physical and psychological, that stave off intimacy. Her work, by design, seems coolly perfect, distant, deliberately inaccessible.  Her paintings, she tells us, "...[are] at once guarded and open, sensuous yet chilly."  Meg is in her second year in the MFA program at the University of Maryland, College Park.

 
Jeffry Cudlin is an artist, a curator, and an award-winning art critic writing for the Washington City Paper. His last collaboration with artists Jefferson Pinder and Christopher Hoeting, ASSIMILATION/DISSOLUTION, was a six-month, mixed media exploration of gentrification, race, and artistic identity.  The show was reviewed in the Washington Post, and paid for in part through a grant from the D.C. Commission on the Arts and Humanities.  Cudlin received his MFA in 2003 from The University of Maryland, College Park.  He currently serves as the Director of Exhibitions for the Arlington Arts Center. 
 
 
 

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