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jeffrycudlin.com
installation
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For Assimilation/Dissolution,
three D.C. area artists engaged in an intensive collaborative project exploring issues of gentrification and identity. Over the course of six months, Jefferson Pinder, Christopher Hoeting, and Jeffry Cudlin
generated a series of 30 works, all equal in size, but disparate in terms of media and imagery. Every ten to fifteen days, each artist would generate a new artwork; they would then swap these pieces
and craft responses to one another’s efforts. The resulting paintings,
videos, collages and combines follow a pattern of call and response, speaking to one another in a definite, escalating progression. As the collaboration proceeded,
threads running through all of the work became apparent. Techniques and approaches
unique to one of the artists were often co-opted by the others. Loaded or charged
imagery appeared here and there throughout the cycle—everything from unscrupulous real estate developers to Sambo images. Where such high-wattage icons were employed, they often deflected comment as much
as they invited it—thus illustrating the difficulties of having a conversation not in words, but in images and objects. Sometimes the artists reconciled themselves with these images, re-contextualizing
or re-imagining them. Other times they pushed aside their collaborator’s
original intentions, burying symbols under accumulated layers of process. Ultimately, the creation
of the works in this show became a metaphor for the development and redevelopment of neighborhoods in the city--of the tangle
of intentions, designs, and hidden histories that create a sense of both place and self.
This collaboration opened a discourse between these three artists; it ultimately opens another discourse for the viewer. ASSIMILATION/DISSOLUTION
appeared at Flashpoint Gallery in |
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